Posts Tagged ‘ personal ’

Marilyn Monroe – Jewelry Icon

February 6, 2012
Marilyn Monroe – Jewelry Icon

When it comes to exquisite luxury jewelry, no woman shines more brilliantly than Marilyn Monroe. Decades after romancing the world with “ Diamonds Are A Girl’s Best Friend” and shaking up the jewelry scene, Marilyn Monroe continues to be the most emulated woman on the planet. By the early 1950s, Marilyn Monroe had already captivated the public with her signature blonde hair, white dress and seductive persona. But it was 1953’s “Gentlemen Prefer Blondes” that marked Marilyn Monroe’s ascension into jewelry stardom and made her a coveted spokeswoman for many of the era’s most in vogue designers. In the famous scene where she sings, “Diamonds Are A Girl’s Best Friend,” Marilyn takes the precious gem to new heights: With thick diamond bangles layered over long pink gloves, a statement necklace with oversized diamonds and large diamond earrings, Marilyn is a vision of lavish jewelry. And it is only fitting that Norma Jean wore the most stunning piece from “Gentlemen Prefer Blondes” to the movie’s premier: The Moon of Baroda, a breathtaking 24.04 carat pear-shaped yellow diamond once worn by Marie Antoinette. That necklace is the ultimate statement of Marilyn’s icon status. When Marilyn wore diamonds, the world took notice.  So it’s no surprise that from that point on, Marilyn became the ultimate spokeswoman for diamond jewelry . Although her personal collection included mostly costume jewelry, she was able to develop her signature lavish style with the help of luxury jewelry giants such as Da Beers, who always ensured Marilyn was donning exquisite diamonds during public events. Stunning earrings, sleek necklaces and brilliant flashes of light followed her every footstep and featured prominently in her other landmark film, “Some Like It Hot.” The icon wore so many diamonds throughout her career that she received an award from the Jewelry Academy accompanied with the following note: “To Marilyn Monroe, the best friend a diamond ever had.” One notable piece in Marilyn Monroe’s personal jewelry collection is a platinum and diamond eternity band featuring 35 baguette diamonds around the band, given to her by Joe DiMaggio after their wedding in 1954. Recognizing Marilyn’s love for pearls, DiMaggio also presented his bride with a 16-inch strand of pearls featuring 44 exquisite Mikimoto pearls. The Golden Globe nominated film “My Week With Marilyn” is the latest testament to Marilyn Monroe’s timeless style. In the movie, Oscar Nominee Michelle Williams emulates Marilyn’s flair for decadent jewelry to a T. And the fabulous Vogue photos of Michelle dressed as Marilyn are just as stunning. From the famous earrings with strands of dangling diamonds to the feminine diamond bracelets, Williams captured the essence of the style for which Marilyn Monroe is still remembered – and emulated –today. From the stunning Moon of Baroda to the heavy, bold-impact diamond necklaces, Marilyn Monroe’s love affair with diamonds is one for the ages. Diamond & Estate Trust’s collection of loose diamonds , including colored diamonds, and exquisite vintage earrings and necklaces will help you capture the best of Marilyn Monroe’s style. Go here to read the rest: Marilyn Monroe – Jewelry Icon

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Artist Plans To Bury A Plane In The Desert

January 26, 2012

BAKERSFIELD, Calif. — A Swiss artist plans to bury an intact Boeing 727 jetliner in California’s Mojave Desert and build a tourist tunnel to give visitors a chance to view the underground project. Christoph Buchel has applied for a Kern County conditional-use permit that will allow him to bury the 153-foot-long decommissioned airliner west of Boron. It’s not far from the desert’s aircraft boneyard. The jetliner would be buried 38 feet below the surface. Visitors will be able to experience the subterranean art project via an underground tunnel connecting the plane to a parking area. They’ll be able to use the plane’s restrooms, which will be connected to a septic system. See the rest here: Artist Plans To Bury A Plane In The Desert

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Google to Share Your Personal Info

January 26, 2012
Google to Share Your Personal Info

In a move that could make it harder for its users to remain anonymous, Google said it would start combining nearly all the information it has on its users. Read the original: Google to Share Your Personal Info

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Watch Out for Tax Time Tricks

January 12, 2012

The Internal Revenue Service receives thousands of reports each year from taxpayers who receive emails, phone calls, faxes or notices claiming to be from the IRS. Many of these scams fraudulently use the IRS name or logo as a lure to make the communication appear more authentic and enticing. The goal of these scams, known as “phishing,” is to trick you into revealing your personal and financial information. The scammers can then use your information—like your Social Security number, bank account or credit card numbers—to commit identity theft or steal your money. Here are five things the IRS wants you to know about phishing scams. The IRS never asks for detailed personal and financial information like PIN numbers, passwords or similar secret access information for credit card, bank or other financial accounts. The IRS does not initiate contact with taxpayers by email to request personal or financial information. If you receive an email from someone claiming to be the IRS or directing you to an IRS site:  Do not reply to the message. Do not open any attachments. Attachments may contain malicious code that will infect your computer. Do not click on any links. If you clicked on links in a suspicious email or phishing website and entered confidential information, visit the IRS website and enter the search term ‘identity theft’ for more information and resources to help. The address of the official IRS website is www.irs.gov . Do not be confused or misled by sites claiming to be the IRS but ending in .com, .net, .org or other designations instead of .gov . If you discover a website that claims to be the IRS but you suspect it is bogus, do not provide any personal information on the suspicious site and report it to the IRS. If you receive a phone call, fax or letter in the mail from an individual claiming to be from the IRS but you suspect they are not an IRS employee, contact the IRS at 800-829-1040 to determine if the IRS has a legitimate need to contact you. Report any bogus correspondence. You can forward a suspicious email to phishing@irs.gov. You can help shut down these schemes and prevent others from being victimized. Details on how to report specific types of scams and what to do if you’ve been victimized are available at www.irs.gov . Click on “phishing” on the homepage. This report was compiled with information from the IRS. Be sure to follow  Beverly Hills  Patch on  Twitter  and “Like” us on  Facebook . Read more: Watch Out for Tax Time Tricks

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The Best of the Best Hamptons/NYC Personal Trainer Launches Beverly Hills Personal Training Company

January 7, 2012

Ms. Kordecki will handle clientele for personal training, boot camps, Booty SlideA classes and nutrition services. Read the original: The Best of the Best Hamptons/NYC Personal Trainer Launches Beverly Hills Personal Training Company

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Ernest Troost Live at McCabe’s

November 20, 2011
Ernest Troost Live at McCabe’s

Ernest Troost is an award-winning Los Angeles singer-songwriter and guitarist, whose new folk style is at the forefront of an American roots music renaissance. The renowned folk star’s new album, Ernest Troost Live at McCabe’s , blends folk, ragtime and Piedmont blues styles into a sumptuous symphony of simplicity. Ernest Troost is an Emmy-winning composer of more than 100 orchestral scores for Hollywood films and television, so the cinematic backdrop in his story songs comes from a unique perspective not shared by other folk musicians. As a songwriter, Troost composes songs that resonate with the pure authenticity of traditional blues and folk, but with a great freshness and contemporary relevance for 21st century audiences. “I just like writing acoustic music and, in fact, my style is very spare,” says Troost.

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Andy Williams Cancer War

November 7, 2011
Andy Williams Cancer War

Andy Williams announced that he has cancer to shocked fans, but the singer makes it clear that he’s not dying and doesn’t plan on letting cancer take him down. “I do have cancer of the bladder, but that is no longer a death sentence. People with cancer are getting through this thing,” said superstar Andy Williams, who is determined to be cancer-free. Williams, who will turn 84 on December 3rd, is undergoing chemotherapy and moving with his wife, Debbie, to Malibu for treatment by top cancer specialists in Los Angeles. Andy and Debbie Williams own a home in La Quinta, California, but the drive to and from L.A. is a strain during his personal war against cancer. Andy Williams hosted the ‘Andy Williams San Diego Open’ PGA Tour golf tournament at Torrey Pines for 21 years but, today, the avid golfer is devoting his time and energy to fighting cancer off the golf course. A beloved singer, songwriter, performer, actor, music producer, TV star and art collector for decades, Andy Williams has a fan base in 75 nations that is praying for the star and cheering him on during the fight of his life. Among those supporting Williams in his cancer battle are The Osmonds , who were first introduced to the world as a regular singing act on The Andy Williams Show in the 1960s. Encouraging the legendary singer onward is Yoko Ono , who remembers that the loudest voice of objection to President Nixon ‘s attempt to deport John Lennon in the 1970s was Andy Williams, a lifelong conservative Republican. Of the countless hits recorded by Andy Williams, which song should be featured here as a theme song for the legendary vocalist’s aggressive fight to live? “Moon River” or “Love Story” or “Can’t Get Used to Losing You” or “Days of Wine and Roses” ?

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SCIENCE: ‘The Most Powerful Weapon In The Courtroom Battle’

October 23, 2011

LOS ANGELES — While the defense was on the verge of its counter attack in the trial of Michael Jackson’s doctor, the prosecution dramatically shifted the focus from personalities to science – its most powerful weapon in the courtroom battle.. Its star witness, a scientist with a reassuring witness box manner, had jurors on their feet straining for a better view of his show-and-tell demonstration. It was the closest they would come to seeing a purported re-enactment of how the King of Pop died. Dr. Conrad Murray, charged with causing Jackson’s death, watched intently as Dr. Steven Shafer closed the case against him holding a bottle of propofol, an IV bag and a tube carrying the milky white liquid downward. That was how it happened on June 25, 2009, said Shafer. He was certain. On Monday, a defense attorney will try to shake his testimony and later a fellow scientist billed as “the father of propofol,” will offer another theory. Whether Dr. Paul White can absolve Murray of blame for the singer’s death remains to be seen. But the defense is just beginning. “He will have to stand firm on the fact that reasonable minds can differ,” said Marcellus McRae, a former federal prosecutor and trial attorney who has been following the case closely. “He will have to change the landscape here and show some reasonable doubt. The question is will this be enough.” Murray, a Houston based cardiologist, has pleaded not guilty to involuntary manslaughter. McRae said calling Shafer as the final prosecution witness was a master stroke. “Brick by evidentiary brick, Shafer has built a wall of scientific reasons for the jury to conclude that Dr. Murray was criminally negligent,” he said. “It allows the prosecution to tell the jury that their case is built on science rather than shifting theories.” In addition to making the science understandable, Shafer offered some colloquial phrases that may resonate with jurors including the words “crazy” and “clueless.” He called Murray’s unorthodox use of propofol as entering “a pharmacological never-never land “and said the doctor was “clueless” when it came to helping his dying patient. And he denounced a defense theory that Jackson could have awoken from sedation and given himself the drugs that killed him during a few minutes that he was left alone by Murray. “People don’t just wake up from anesthesia hell-bent to pick up a syringe and pump it into the IV,” Shafer said, reminding the jury that the procedure was complicated. “It’s a crazy scenario.” Shafer stood in the well of the courtroom with an IV pole, a bag of saline solution and a bottle of propofol, showing how the drug could have run quickly into Jackson’s veins while his doctor was out of the bedroom. He drew a scene in which Murray, lacking the proper equipment to measure doses, left Jackson on an IV drip of the powerful anesthetic flowing quickly under the pull of gravity into the sleeping singer. It was the explanation, he said, of how Jackson died of a propofol overdose with no one present to see that he had stopped breathing. “This fits all of the data in this case and I am not aware of a single piece of data that is inconsistent with this explanation,” Shafer said. In early cross-examination, defense attorney Ed Chernoff asked Shafer if that wasn’t “a bold statement.” “It’s an honest statement,” he replied. Shafer’s mathematical calculations projected on a large screen concluded that Murray had not given his patient the minimal 25 milligrams he claimed, but had started a vastly larger infusion of a 100 milliliter bottle, containing 1,000 milligrams of the drug. No, Shafer said, Jackson had not given himself an additional infusion of propofol. “He can’t give himself an injection if he’s asleep,” he said. Shafer was the prosecution’s closer. An anesthesiology professor and researcher at Columbia University Medical School, he wrote the package insert instructing doctors how to use propofol. He listed 17 “egregious” violations of the standard of care by Murray, chief among them leaving his anesthetized patient alone and failing to call 9-1-1 when he found Jackson not breathing. . Deputy District Attorney David Walgren concluded a key day of Shafer’s examination by asking: “Would it be your opinion that Conrad Murray is directly responsible for the death of Michael Jackson for his egregious violations and abandonment of Michael Jackson?” Shafer replied, “Absolutely.” Just giving Jackson the anesthetic as a sleep aid in a home setting was unconscionable, Shafer testified. It is intended for surgery in hospitals where resuscitation equipment is available. “We are in pharmacological never-never land here, something that was done to Michael Jackson and no one else in history to my knowledge,” he told jurors. Gray haired and amiable, Shafer entranced jurors with his easy manner, speaking directly to them as he made molecules understandable and led them through complicated graphs projected on a courtroom screen. When Chernoff accused him of trying to send a message to jurors, he responded calmly, “I’m trying to make it easy for the jury. These are complex graphs and I’m trying to explain to the jury a very complex pharmacology. There is no other agenda as you’re suggesting.” McRae gave Walgren and co-prosecutor Deborah Brazil high marks. “Good trial lawyers know that you have to persuade on the law, persuade on a factual level and then persuade on a moral and common sense level,” he said. “Even though you’re not going to hear an instruction about morality, the jury has to feel they’re making the right decision on a gut level.” “I think the prosecutors here have done a very effective job of hitting the human element, the moral element and now the factual element.” he said. A parade of 32 witnesses had testified before Shafer took the stand and stole the show. They included Jackson’s household personnel, security guards, paramedics and a business associate. Jurors heard about the legendary singer’s final day on earth — singing and dancing at a rehearsal for his comeback concert, reveling in the adulation of fans who showered him with gifts. And then a night of horror, chasing the most elusive treasure he craved — sleep. Most dramatic were two recordings — one of the heavily drugged singer dreaming aloud to his doctor about future triumphs and then the doctor himself being interviewed by police two days after the death that shook the world of pop culture. All of it told a compelling story structured by prosecutors Walgren and Brazil to prove that Murray, who had been hired by Jackson for $150,000 a month as his personal physician, was responsible for his famous patient’s death. With the trial winding down, they brought on the experts, a coroner and two doctors who evaluated Murray’s conduct for the California Medical Board. Dr. Nathan Kamangar, described Murray’s conduct as “unethical, disturbing and beyond comprehension.” Dr. Alon Steinberg enumerated deviations from the standard of care, and said, “If all of these deviations didn’t happen, Michael Jackson might have been alive.” See the original post: SCIENCE: ‘The Most Powerful Weapon In The Courtroom Battle’

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