Posts Tagged ‘ book ’

Markets reporter Walter Hamilton on the year in stocks

December 31, 2011
Markets reporter Walter Hamilton on the year in stocks

http://www.youtube.com/v/4d__mPfCE4Q?version=3&f=user_uploads&app=youtube_gdata Despite a soft economy and stubbornly high jobless rate, the Dow Jones industrial average rose a surprising 5.5% and the S&P 500 broke even in 2011. Foreign stocks didn’t do nearly as well. Story coming to www.latimes.com Continue reading here: Markets reporter Walter Hamilton on the year in stocks

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Extra, Extra: $25K Reward for Hollywood Arsonist, the Book Signing Event From Hell & California’s First Gray Wolf in Forever

December 31, 2011
Extra, Extra: $25K Reward for Hollywood Arsonist, the Book Signing Event From Hell & California’s First Gray Wolf in Forever

In tonight’s Extra, Extra, California gets its first gray wolf in a long time, 30 Rock comedian ends up at the book signing event from hell and firefighters are putting out a reward to catch the Hollywood arsonist. Plus: Keep up with us on Facebook , and follow us on Twitter: @LAist @LAistFood @LAistSports . more › Read the original post: Extra, Extra: $25K Reward for Hollywood Arsonist, the Book Signing Event From Hell & California’s First Gray Wolf in Forever

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Hook & Book fundaraiser

November 23, 2011
Hook & Book fundaraiser

http://www.youtube.com/v/j-wxKOOkjgM?version=3&f=user_uploads&app=youtube_gdata See more here: Hook & Book fundaraiser

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Melody Godfred: The Nightmare Before Halloween: LACMA’s Dead Man’s Ball

October 31, 2011

After LACMA’s sold out Dead Man’s Ball on Saturday night, we may want to consider renaming Halloween after Tim Burton (Burtonween? Halloburton? That might scare people a bit too much). His influence was seen and felt everywhere, as a diverse crowd of partygoers paid homage to the king of underworld-inspired cinema with elaborate costumes including The Mad Hatter, Edward Scissorhands, The Corpse Bride and Jack Skellington. This year, LACMA’s annual Muse Costume Ball gave Burton’s character center stage for a festive night of music and art. The event spanned several unique spaces within the museum, from an outdoor reception near LACMA’s signature installation “Urban Light,” a multi-room indoor space with a dance floor and of course, the Tim Burton exhibit itself, which was open all night in honor of its closing weekend. Walking through the exhibit, it felt as though Burton’s eccentric characters had escaped from their eternal resting places (sketches, sculptures and films) for a night of revelry, transforming LACMA into the scene of a Burtonesque Night At The Museum . The night also featured The Bumbys , an anonymous, masked couple that gave ghoulish guests a typewritten “fair and honest appraisal” of their appearance. A long line of costume-clad attendees excitedly awaited their judgment, which was contained in a short description (an original blend of intellect, wit and absurd pop culture references) and a numerical rating. In a night full of avant-garde entertainment, The Bumbys stood out for engaging the crowd, with everyone eagerly sharing their clever appraisals with each other. Other highlights included a rocking performance by She Wants Revenge , roving concerts by Killsonic (a 25-piece punk, jazz orchestra that dropped dead at the end of their show), DJ Beatlejuice (aka DJ Jeremiah Red) and several costume contests. The drink of the night was “The Afterlife Elixer” (Kanon Organic Vodka, lemon verbena bitters, simple syrup, soda and mint), which definitely kept partiers rallying until the close of the Dead Man’s Ball at 12:30 am. Although the event had light appetizers, guests also had the option of dining at LACMA’s restaurant, Ray’s and Stark Bar, which offered a Halloween-themed prix fixe menu that included Jack-O-Lantern Soup, Meat and Bones (hanger steak) and blood sausage. Now in its eighth year, LACMA’s Muse Costume Ball is known for drawing the best costumes in town. After this year’s Burton-inspired spectacle, it’ll be interesting to see how LACMA tops itself next year. Photos by Brian Brown of thebeeseye.com Read the original: Melody Godfred: The Nightmare Before Halloween: LACMA’s Dead Man’s Ball

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Book Review: Unreal Estate

October 31, 2011
Book Review: Unreal Estate

After much anticipation amongst real estate-o-philes in Los Angeles and no doubt around the world author and journalist Michael Gross’ latest exposé Unreal Estate finally hits the bookstores and online retailers tomorrow. We are a fan. And not, mind y’all, just because a substantial quote by yours truly appears on the book jacket and not either because we are also referenced and quoted repeatedly in chapter three. It’s because, for better and worse, we love a thick and juicy real estate tale of the rich and famous and at that Mister Gross is a master. Many of the children surely already know–and all of the children who care a whit about such trivial matters should–Mister Gross penned 740 Park , a delectably hair-raising history of 740 Park Avenue–one of the most exclusive and enigmatic buildings in New York City–and its parade of improbably wealthy residents. Your Mama spent a good portion of the unusually warm weekend tucked into a butterfly chair in our shaded back yard with an advanced copy of Unreal Estate , a 500-page tome that exhaustively unravels the hidden histories of more than a dozen of Los Angeles’ greatest and most storied estates in what’s commonly called the Platinum Triangle, the high-priced nexus of Beverly Hills, Holmby Hills and Bel Air. The real estate, as delish as it is to read about, acts primarily as the lubricant for Mister Gross’ real subject(s): the astonishingly luxurious, weirdly insular, sometimes sordid, often unsavory and frequently tragic palace intrigues of their (usually) well-heeled and (always) high-living residents. Take for instance the extreme decadence and rather sordid melodrama that has surrounded Grayhall , a vast, 20-bathroom Beverly Hills pile built by a Boston banker and later owned by a laundry list of Tinseltown legends like Douglas Fairbanks, too-tan actor/gadabout George Hamilton, a high-flying (and shady-seeming) international financier named Bernie Cornfeld who like Hugh Hefner housed dozens of women in dorm-like bedrooms, and Herbalife’s multi-level marketing master Mark Hughes and two of his wives. Tabloid-inclined readers will enjoy the scads of scandalicious morsels about about west coast movers and shakers like now deceased Holmby Hills resident Alfred Bloomingdale, heir to the eponymous department store fortune, Ronald Reagan kitchen cabinet member, and enjoyer of kinky sex who kept a much younger mistress on retainer for a dozen years. His long-time wife and widow Betsy remains ensconced in the couple’s grand Delfern Drive mansion and a prominent and powerful force amongst the hoitiest of the toitiest in Los Angeles’ haute society. Then there’s poor Dolly Green, the privileged daughter of Burton Green, a co-founder of Beverly Hills. The grande dame, sometimes portrayed by Mister Gross as rather crass and course, lived large and fast but ultimately died alone but for and at the mercy of her domestic staff and legal advisers. Miz Green lived lavishly in a spectacular Wallace Neff-designed mansion on Bellagio Road in Bel Air now owned by soap opera tycoon Bill Bell and his philanthropically-minded wife Maria. We recommend Unreal Estate be read in close proximity to an internet-abled computer because it’s good fun to key in the (often provided) addresses of the discussed estates for a delicious aerial peep of the very real unreality of real estate in the Platinum Triangle. Late last week the Deadline Hollywood blog announced that Mister Gross’ book has been optioned by the folks at HBO for a Joel Silver-produced series. Mavel tov Mister Gross! Mister Gross will be reading from Unreal Estate in New York tomorrow (Barnes and Noble on East 86th Street at 7pm) and at Book Soup on Sunset Boulevard in Los Angeles on November 10 at 7pm. photo: Broadway Books Follow this link: Book Review: Unreal Estate

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Helen Davey: Inside The Mind Of A War Vet

October 18, 2011

There is exciting new hope on the horizon for the treatment of combat-related trauma, and I feel that I have had a front-row seat in watching this ground-breaking and hopeful solution to one of our country’s most heart-breaking problems — Post Traumatic Stress Disorder (PTSD) in the military. Let me elaborate. As a psychoanalyst, I had the pleasure of attending a conference in Los Angeles that highlighted the work of Dr. Russell Carr, a naval psychiatrist who heads up inpatient psychiatry at the National Naval Medical Center in Bethesda, Md. Dr. Carr has spent a decade in military campaigns since 9/11 in both Iraq and Afghanistan. With this experience of his, if anyone can empathize with and develop ways to effectively treat PTSD in military personnel, I believe that Dr. Carr can. But before he was able to do this, first he had to look for ways to help himself. In an attempt to survive and to tolerate his own shattering experiences with war, Dr. Carr read widely, seeking knowledge from various areas in psychology and psychoanalysis. Although drawn to psychoanalysis, Dr. Carr found that psychoanalytic theory and treatments were not specifically developed to address problems that arise in adulthood, such as the effects of combat on soldiers; that is, until he discovered the work of famed Los Angeles psychoanalyst, Dr. Robert Stolorow. When he discovered Dr. Stolorow’s book, “Trauma and Human Existence” in 2008 while he was still in Iraq, Dr. Carr carried the book around with him all the time, squeezing every bit of knowledge out of it that he could: Stolorow’s book was more like a companion in the darkness of trauma, helping me to understand and bear the experiences of being in a combat zone. Otherwise, I was left in my isolation, only with answers that seemed to blame my childhood fantasies about my parents for the mortars exploding outside my office. Dr. Carr feels that his adoption of Stolorow’s ideas has saved both him and his patients from the isolation and despair of living in a shattered experiential world following combat. He began to shift his stance from a more intellectual understanding of the patient’s mind to one of empathic introspection on his part that follows along with the patient’s feelings. Dr. Carr strives to provide what Stolorow calls a relational home between two human beings in a therapeutic relationship, for those “wounded warriors” who are dealing with massive issues of guilt, shame and mortality. So just how does this approach work in ways that manualized cognitive-behavioral methods don’t? Instead of adopting a stance of “here’s your problem and here’s how to fix it,” Dr. Carr helps his patients to feel that they are coming up with solutions that fit their unique situations, allowing them to feel safe and trusting in the relationship, as they develop the ability to find words to describe their experience. The patient hopefully can feel a profound sense of being “found,” and of having their traumatic reactions witnessed. It is that process that leads to recovery. Another important aspect of treatment is the illumination of the patient’s shattered sense of innocence and illusions about life in general. Because we are all finite beings over whom death and loss constantly loom, Stolorow theorizes that human beings develop what he calls the absolutisms of everyday life . This means we all develop unquestioned beliefs and assumptions that we unconsciously live by, in order to flee from the uncertainties of life and to maintain a sense of continuity, predictability and safety. For example, when you say to a loved one, “I’ll see you tomorrow,” it is taken for granted that both you and the other person are going to be around. Stolorow writes, “It is in the essence of emotional trauma that it shatters these absolutisms, a catastrophic loss of innocence that permanently alters one’s sense of being-in-the-world.” (Stolorow, “Trauma and Human Existence”) When we can no longer believe in such “absolutisms of everyday life,” many of us feel that the universe becomes unpredictable, random, and unsafe, and it is especially traumatizing when this loss echoes what happened to us in childhood. But can you imagine how these absolutisms are destroyed completely for warriors who are confronted day after day with a dangerous world that threatens their very existence, and even their memory of a safer world? Because of this shattering of the illusions of safety, often traumatized people see the world differently than others do. They feel anxious, alienated and estranged in an unsafe world in which anything can happen at any time. Anxiety slips into panic when it has to be borne in isolation. In the absence of a sustaining relational home where feelings can be verbalized, understood, and held, emotional pain can become a source of unbearable shame and self-loathing. Therefore, this feeling of alone-ness is exactly what happens to wounded warriors, who are at great risk of falling into the grip of an impossible requirement to “get over it.” Could anybody ever imagine John Wayne developing PTSD and — even worse — admitting that he needed to seek help for it? Using an in-depth case example of a patient he calls “Major B,” Dr. Carr was able to impress upon the audience the complexity of the experiential world of a severely traumatized Major in the Air Force, as they worked together on the critical issues of guilt and shame. For Major B, it is not the violence he witnessed in Afghanistan that haunts him; it is his feelings about the violence he inflicted. He often maintained that, given the circumstances again, he would kill the same people, but that doesn’t make it any more bearable. He has nightmares in which he can’t stop killing people, and, seeing himself as an emotionless “killing machine,” he’s afraid that he won’t recognize the difference between what is normal and what is a threat. According to Stolorow, when these unendurable emotions cannot be processed with others, these feelings become dissociated and the individual feels a sense of deadness, dullness and a loss of vitality, and it becomes difficult to feel any connection with other human beings. As if these feelings of guilt were not difficult enough, the feelings of shame are even more painful. The worst part for Major B was his feeling that he couldn’t handle combat and that he needed help with the unbearable emotions from it. Before he met Dr. Carr, he believed he could not seek out other people to help him bear and process his feelings about killing large numbers of people. In his mind, he was supposed to maintain the persona of the stoic tough guy whom nothing bothered. Before he began to wrestle with the emasculating experience of admitting to his problems, and then seeking help, he turned to “Dr. Alcohol” and the comforting thought of committing suicide as antidotes to the feeling that he had lost his mind in Afghanistan. Dr. Carr states: By providing a relational home to the traumatic experiences of many combat veterans, I understand the guilt and shame that many of them feel. I understand why some severely traumatized veterans feel as if they deserve to die, why they feel more at ease sleeping under a bridge than rejoining the communities they fought to defend. And through my work, I understand better my own feelings of alienation from the rest of America after participating in a decade of military campaigns since 9/11. I feel profoundly privileged to have witnessed this important event in which the field of psychoanalysis has broken ground in the treatment of military personnel. Dr. Carr, whom I consider to be a national treasure, received a tearful and extended standing ovation from a large and seasoned group of psychoanalysts, who never imagined that the words “military” and “psychoanalysis” would be uttered in the same sentence! My hope is that Dr. Carr’s work will receive the acknowledgement it deserves, and that his methods can be implemented throughout the military to bring our wounded warriors the sense of hope that many of them have lost. See the original post: Helen Davey: Inside The Mind Of A War Vet

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